Golden Horn

Golden Horn

1964
12min

La Corne d'or is mostly concerned with religious ritual, examining the mosque (and former cathedral) discussed in Byzance. As a contrast against Istanbul's status as a center of historical religious conflict, Pialat — drawing here on texts by the French poet Gérard de Nerval — also describes the city as a place of strange ethnic and religious harmony, with representatives of various cultures and religions living in close contact. He emphasizes the city's hybrid culture, its blend of Southern European and Arab influences, reflected in both its people and its very construction.

Golden Horn

Storyline

La Corne d'or is mostly concerned with religious ritual, examining the mosque (and former cathedral) discussed in Byzance. As a contrast against Istanbul's status as a center of historical religious conflict, Pialat — drawing here on texts by the French poet Gérard de Nerval — also describes the city as a place of strange ethnic and religious harmony, with representatives of various cultures and religions living in close contact. He emphasizes the city's hybrid culture, its blend of Southern European and Arab influences, reflected in both its people and its very construction.
    Released
    1/1/1964
    Runtime
    12min
    Director
    Genre
    Status
    Released
    Language
    French
    Production
    Como Films, Lux Compagnie Cinématographique de France
Cast
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