Disque 957

Disque 957

1929
6min

Dulac’s three 1929 “abstract” films, Disque 957, Αrabesques, and Themes and Variations, were the results of a long period of reflection by the filmmaker, who sought to create a “pure” or “integral” cinema that would capture the essence of the new medium and owe nothing to the other arts. Each of these three studies was designed to be played silent. The first one, Disque 957, is conceived of as a “visual impression […] in listening to Frédéric Chopin’s Preludes n. 5 and 6”. Its title and its opening shot of lightplay on a spinning record not only announce the film’s dominant cyclical motif, but also evoke one of the filmmaker’s major sources of inspiration in Loie Fuller’s serpentine dances. —Avant-Garde Film Festival

Disque 957

Storyline

Dulac’s three 1929 “abstract” films, Disque 957, Αrabesques, and Themes and Variations, were the results of a long period of reflection by the filmmaker, who sought to create a “pure” or “integral” cinema that would capture the essence of the new medium and owe nothing to the other arts. Each of these three studies was designed to be played silent. The first one, Disque 957, is conceived of as a “visual impression […] in listening to Frédéric Chopin’s Preludes n. 5 and 6”. Its title and its opening shot of lightplay on a spinning record not only announce the film’s dominant cyclical motif, but also evoke one of the filmmaker’s major sources of inspiration in Loie Fuller’s serpentine dances. —Avant-Garde Film Festival
More like this
Logo
Nuxt Movies
Made with

Data provided by 

This project uses the TMDB API but is not endorsed or certified by TMDB.

Language: